Frankurter Allgemeine Zeitung, Gerrit Priessnitz
...darting 'scherzando' flourishes he let rattle in fine dynamic shading over the keys. A few listeners shook their heads in disbelief at such technical brilliance during the racing octave passages towards the end of Mendelssohn's Rondo Capriccioso, Op.14. Such brilliance Kenner possesses indeed; but beyond that, a remarkable transparency of sound and pedalling, so that one can effortlessly follow his concentrated played with programmatic scene changes from 'Eusebius' to 'Florestan', from 'Paganini' to 'Chopin', as well as his so to speak absolute musical concept in Schumann's Carnaval, Op.9.
6 September 1999